Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Chantal Akerman

Chantal Akerman

Birth Name: Chantal Anne Akerman

Birth Date: 1950-06-06

Birth Place: Etterbeek, Belgium

Details

Alternate Names: Chantal Anne Akerman, Chantal Ackerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만

Physical Characteristics: N/A

Career

First Appearances:

  • Examen d'entrée INSAS (1967) as

Most Important Roles:

  • Blow Up My Town (1968) as The girl
  • Seven Women, Seven Sins (1986) as Woman (segment Portrait d'une Paresseuse)
  • Je Tu Il Elle (1974) as Julie
  • News from Home (1977) as Narrator (voice)
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976) as Neighbor (voice) (uncredited)
  • The Room (1972) as Self - On her bed
  • She Spent So Many Hours Under the Sun Lamps (1985) as
  • Pictures of Europe (1990) as Self
  • Chantal Akerman, From Here (2010) as Self
  • Guest (2011) as Self

Career Highlights:

  • Blow Up My Town (1968)
  • Seven Women, Seven Sins (1986)
  • Je Tu Il Elle (1974)
  • News from Home (1977)
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)
  • The Room (1972)
  • She Spent So Many Hours Under the Sun Lamps (1985)
  • Pictures of Europe (1990)
  • Chantal Akerman, From Here (2010)
  • Guest (2011)

Awards

Awards:

  • Commander of the Order of Leopold (2004)

Full Biography

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).

Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.

Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

Je tu il elle(1974)1 SCENE
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